There are a large number of fake antiquities out there, some easy to spot, others less so, and probably a whole lot that without extremely sophisticated technical analysis nobody will ever know. But if a fake vase, coin, cunie, lamp, 'Dead Sea' scroll or whatever has been sold as authentic, and its new owner sees no reason to question it and cherishes it as such, sells it to the next guy that also cannot see anything wrong with it... what rim has been committed? The buyers bought what they saw and liked, paid the price they felt like paying to experience having it. What's the big deal? Is not 'art' about experiences, sensual reception?
A blog commenting on various aspects of the private collecting and trade in archaeological artefacts today and their effect on the archaeological record.
Wednesday, 16 January 2019
Fake Antiquities Flood Market, so What?
There are a large number of fake antiquities out there, some easy to spot, others less so, and probably a whole lot that without extremely sophisticated technical analysis nobody will ever know. But if a fake vase, coin, cunie, lamp, 'Dead Sea' scroll or whatever has been sold as authentic, and its new owner sees no reason to question it and cherishes it as such, sells it to the next guy that also cannot see anything wrong with it... what rim has been committed? The buyers bought what they saw and liked, paid the price they felt like paying to experience having it. What's the big deal? Is not 'art' about experiences, sensual reception?
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