Monday, 8 December 2025

Operation METHODICAL: Protecting London’s Art During a Nuclear Attack

 

On the 6 November 1972, detailed orders were issued by HQ United Kingdom Land Forces for the removal of major national art treasures from London in the event of a nuclear attack on the UK. The codeword METHODICAL was given to this operation. Lessons for evacuating significant works of art from London during the Second World War had been adapted and expanded for re-use during the Cold War, which also saw considerations for collections in both Edinburgh and Cardiff. 

Given that the international security context has shifted back towards competition and state-on-state conflict from one of international terrorism and state failure in the post-Cold War era, perhaps now is the time to reconsider how nationally important artworks and collections can be safeguarded and their security integrated into homeland defence planning. 

Saturday, 6 December 2025

New Iraqi Museum Planned

 

The Iraqi government revealed on Saturday that preparations are underway to build a new national museum to showcase artifacts from multiple eras of Mesopotamian civilization. Speaking at the Inclusivity of Contemporary Tourist Destinations conference in Baghdad, Minister of Culture, Tourism, and Antiquities Ahmed al-Badri considered the meaning of the country's archaeological heritage and announced that a location has already been selected for the new museum, and that Iraq has recovered a large number of looted artifacts taken during successive periods of conflict. “What we have in storage exceeds what is currently on display,” he said. Iraq’s antiquities were heavily affected by looting after 2003 and during the takeover by vrious rebel groups of northern areas, where it is believed attempts were made to traffic artefacts to finance their operations. Officials have reported that many stolen artifacts resurfaced on the black market during ISIS’s occupation of Mosul, where the group controlled nearly 2,000 archaeological sites. Since 2008, the United States has returned more than 1,200 pieces, while other repatriations have been happening regularly.

Wednesday, 3 December 2025

Despite the Antiquities Trade being State-Controlled


Chris Stringer (@ChrisStringer65) on Twitter Dec 2, 2025 Astonishing collection of >4000 Neolithic artefacts that artist Ai WeiWei collected from street markets in China (@DesignMuseum 2023).



Saturday, 22 November 2025

Hungarian Collector Returns 183 Khmer Textiles and Artefacts to Cambodia


Xinhua, ' Cambodia: Hungarian collector to return looted Khmer cultural heritage objects', China Daily November 21, 2025

Cambodia said on Friday that Istvan Zelnik, a Hungarian national and private collector, has agreed to return stolen Khmer cultural heritage objects to the kingdom after several years of negotiations. "Among the significant Khmer cultural heritage objects which will be returned to Cambodia under this agreement are 183 pieces of Khmer silk textiles ... as well as prehistoric artifacts such as coins, beads, jewelry, and items made of precious metals, bronze, stone and clay," said a press release from the Ministry of Culture and Fine Arts. "Many of these objects were looted from Cambodia during the decades of civil war," the press release added [...]
Zelnik has collected Asian art for decades, including Khmer art and had already repatriated several Khmer artefacts . In the early 2000s, he founded the Hungarian Southeast Asian Institute, which he funded to support key research at Angkor and Koh Ker, including archaeological surveys, LIDAR studies and historical research. These efforts have significantly contributed to Cambodia's cultural preservation efforts and also contributed significantly to Koh Ker’s nomination for the World Heritage List. Zelnik anfd the Institute have also been involved in the publication of numerous scholarly works on cultural heritage, inscriptions, and contemporary Khmer art. 


Friday, 21 November 2025

35 arrests in Bulgaria in a large art trafficking investigation

                         Thracian rider and assorted tat                
 
A criminal network has been under investigatation or the trafficking of cultural goods, involving antiquities allegedly loted from countries across the Balkans ()/p>Europol press release: '35 arrests in Bulgaria in a large art trafficking investigation', 20 Nov 2025
On 19 November 2025, a coordinated effort led by Bulgarian authorities and supported by Europol, resulted in the dismantling of a criminal network involved in large-scale trafficking of cultural goods across Europe and beyond. This operation was conducted under the framework of a Europol operational taskforce. The action day involved law enforcement and judicial authorities from Albania, France, Germany, Greece, Italy, and the United Kingdom. The operational actions during this day were coordinated from coordination centres in Sofia, Bulgaria, and at Eurojust. Investigative activities are still ongoing. The investigation began after a house raid conducted in 2020 in Bulgaria, where authorities seized about 7 000 cultural artifacts [...] primarily Greco-Roman and Thracian antiquities [...]. The lack of clear provenance documentation for many of these items, established by the Bulgarian authorities at the time, raised suspicions of illegal acquisition. Since their seizure, the artifacts have been housed in the Bulgarian National History Museum in Sofia pending further investigation.[...]
Results from the action day on 19 November 2025
35 arrests in Bulgaria
131 searches including houses, vehicles and bank safes searched (1 in Albania, 120 in Bulgaria, 3 in France, 3 in Germany, 4 in Greece)
Seizures include over 3 000 artefacts (antique golden and silver coins and other antiquities) with an estimated value of over EUR 100 million, artworks, weapons, documents, electronic equipment, over EUR 50 000 in cash, and investment gold
That's what the text says, but the pictures show an inexplicable collection of tat, like you can pick up at any flea marerket all across Europe. Old pocket watches, modern gold chains, cigarette cases, a brass door key, a keyring with what I guess possibly is a piece of iron meteorite on it. Another shows some over-cleaned vintage revolvers with the markings almost buffed off and replica percussion lock pistol. Then there is 'money shot' of a load of old coins, many in holders and slabs - among which can - despite the police efforts to produce the muddiest out of focus effect in their photography - be seen those of western European and US sellers: HD Rauch, Künker, Classical Numismatics, Roman Numismatics, one of the several "GN coins", Classical Numismatics Group, and one I cannot immediately identify. In none of the photos are any coins idenytifiable, there are a lot of gold(coloured) ones - nothing visibly ancient or medieval.

The first photo shows a set of photos of the front of a carved stone plaque of unknown size and thickness. This represents a hellenistic or Roman period "Thracian rider" plaque. Again the police photographer had his mud-filter on, so the inscription is unclear and pixellated, so it's difficult to know what alphabet it is in. Possibly it is in Latin script (??...]ISKO[T U/A D ] C A [ R?....??). Behind the horse is a small standing figure holding something, in fronnt of the horse are two hooded women. The rider has an improbably bushy hairstyle. Despite the ugly but even paytch of dark earth-staining across the front, conveniently higfhlighting the design, to my eye, the outlining of the figure is too 'wooden', looking lkike somebody has copied a pattern. This could be just poor ancient craftsmanship, but I am not convinced that it would look more authentic in the hand.

In the same photo to the left of the picture there is a single ancient coin, quite large and thick, only the reverse is shown, showing a chariot going left, a dolphin below. It is rather worn. It looks like a tetradrachm of Syracuse (Sicily), of a type mostly struck under Dionysios I (Circa 405-400 BC). These are pretty pricy coins - better quality coins with better centring are on Coin Archives for 4-6 thousand USD. The fuzzy photogaphy does not help diagnose what we are looking at, if I had it in my hand, I'd be looking at that striking flwa five o'clock, is it split or cast? I'd be looking at the way the raised portions of the design are separated - as if they were struck from a flat-faced die, or whether the metal was cast into a hollow mould - one would give a sharper distiction between design and background, the other a 'soapy' appearance. Looking at the fuzz-photo, it seems to me more likely that what is behind the fuzz is a cast coin and not a struck one. Though if the photo had been better I'd be more positive on what it could be.

The only artefact that seems at all interesting is the silver-coloured fragment in a plastic bag to the left of the tetra. Again the photo skilfully (or skillessly) says less about the object than it reveals. It seems to be a fragment of a larger convex decorated item with a beaded rim. It reminds me of a medieval ('Viking') tortoise brooch. In which case it would be well out of place as a balkans find - but pefectly in line for being an internet purchase.
The primary High-Value Target (HVT) in this case is suspected of financing illegal excavations across Bulgaria and neighbouring Balkan countries. Local looters, allegedly working for middlemen acting on behalf of the HVT, are believed to have been involved in the illicit operations. The art collection seized in 2020 includes unique items, some of them dating back to 2000 BC, such as masks, military equipment, jewellery, vases, rhytons and cups from Thracian and Greco-Roman civilizations. Most of the artefacts had no provenance documentation, while only a few had questionable ones issued by auction houses and art galleries worldwide, primarily based in France, Germany, the United Kingdom, and the United States.
Nothing shown in their press release or the pathetically dramatic photo of "raids" by armed cops of houses, a dacha and a churchyard? is anything like "2000BC", they show no "vases, rhytons and cups from Thracian and Greco-Roman civilizations". Nothing like that.
On the action day, Europol deployed two experts to Sofia, Bulgaria, to support the coordination of the activities across borders and to provide analytical support and expertise.
I'd love to know their names if they signed off on this one.

The second part of the video shows a house filled with antiques (and "antiques") and collectables. The collector had a bit of a hoarding problem, and a very eclectic taste (and a dubious one - though a couple of the paintings I quite liked). Most of the material we see the policemen rummaging through (wearing NO GLOVES) is mass-produced flea-market stuff.

As for "only a few had questionable [provenance documentation] issued by auction houses and art galleries worldwide, primarily based in France, Germany, the United Kingdom, and the United States", one wonders how far they will be "questioning" that. But of course that is something different from buying directly from looters.


Thursday, 20 November 2025

A Single Coin "Rewrites" German History?

                                                       .                                       

From stories like this you'd believe that we knew eff-all about our own history until the metal detectors came along to sort it out for us (thedailydigest.com msn, 'A stunning new archaeological discovery could change history' msn 14 Nov 2025)
An ancient Celtic coin that was hidden from the world for more than two thousand years was recently plucked from the Earth by an amateur metal detectorist in Germany. It is a find that has already proven to be one of the best archeological discoveries this year. The metal detectorist was reportedly working her magic in a field near the city of Leipzig when she stumbled across a 2,200-year-old golden coin.
Working her magic, eh? The coin is said to be the type called "regenbogenschüsselchen" rainbow cup coins. It does not look the slightest bit like the ones published in the old literature (Franz Streber 1860, ' Über die sogenannten Regenbogen-Schüsselchen', München). These staters generally have a weight of 6-7g and a diameter of 17-20mm. To me this much smaller coin (2g they say) looks more like (but is not) a fanam coin from the Indian subcontinent - but what do I know? 

Apparently this is soooooo important because: "Celtic coins have been found throughout the Bohemia region and in the northwest Czech Republic. However, modern-day Saxony is far outside what many believe were the settlement areas of Celtic tribes. Only two other Celtic coins have ever been discovered in Saxony, making the discovery of a third a truly interesting find".  Why is it definitely not a modern collector's loss? 

So every time a loose item is found in a field 120km from where other objects that look a bit like it are found, it is a TRULY INTERESTING find? The excited arkies over there think it means their area engaged in "trade" with "The Celts" (an assumption that our ethnicity is determined by what coins we have in our pocket). Was it found in a context buried maybe with scales and weights, imported goods, or maybe grasped in the dead hands of a guy whose strontium isotopes show he was born in Bohemia (or wherever these "Celts" were)? Perhaps German archaeology could leave Kossinnism behind and adopt a more nuanced, questioning and demanding approach to evidence. This coin has "rewritten" nothing.

Secrecy Surrounds former Whereabouts of Ancient Akkadian Seal Stolen from the Duhok Museum in 1991.


                                                

In an apparent attempt to shield the owner of an illicitly-obtained antiquity in British hands, and the path of the object to the UK, British authorities are (again) refusing to reveal who received a visit from the Metropolitan Police Service's Art and Antiques Unit that led to a publicised hooray-feelgood "repatriation ceremony" ('Iraq recovers 4,200-year-old Akkadian seal stolen from Duhok Museum in 1991, 964media.com, 19.11.2025). Glad rags and gala uniforms were worn, canapés and a couple of celebratory bottles of chateau plonk-le-plonk were no doubt consumed in the press room as the usual bla-bla-speeches were performed. But the general public learnt eff-all from this about the international antiquities market (and the other parts of the 1970 UNESCO convention nobody talks about - Art 5f, 6c, 8 [Eight!], 10a and 10b and 13a). How was this item stolen from a museum (in the northermost bit of Iraq, later taken over by the Kurds) that in 1991 was evacuated to Baghdad? From whom, and how, did the British owner acquire it? Why are they not named if they acted in good faith and were duped by culture criminals?

 
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