Tuesday, 9 December 2008

Portable Antiquity Collecting in the UK and Archaeology

The superficial PAS review with its burden of missed opportunities came out just in time for a mention in a little something that's been taking up (too much of) my time recently. Here's the publisher's blurb for Britain's Portable Antiquity Heritage: Artefact Collecting and the Archaeological Record by Paul Barford and Nigel Swift
In recent years the discourse on artefact hunting and portable antiquity collection, and their relationship to archaeology in Britain, has become dominated by a particular blend of ideas grown up around the ethos of 'liaison'. These have had a far-reaching impact and are reflected in almost anything that
is currently being written about artefact hunting and portable antiquity collection. This book takes as its starting point an examination of some of the fundamental assumptions on which this model is based and subjects the rhetoric of this discourse to careful analysis. As a result, a somewhat disturbing alternative picture emerges. After a historical chapter, artefact hunting and collecting are discussed with reference to basic principles of archaeological practice and ethics. The phenomenon is also examined against the background of portable antiquity collecting and the antiquities trade. The authors then move on to consider justifications offered by the advocates of collecting both in the hobby itself and the profession; the role of the media in forming public opinion; the part played by metal detecting; the use of personal collections as a means of curating Britain's archaeological record; and, the role of the Treasure Process and export licences in creating a national heritage from the finds of artefact hunters. Alternative proposals for dealing with the problem are also presented in this title.
Alea iacta est. Mind you, I cannot say I am too keen on the cover being proposed at the moment, it looks a little "bland". But there are some interesting ideas floating around. But there will not be any "gold" on it. No way. That's not what its about at all.

No comments:

 
Creative Commons License
Ten utwór jest dostępny na licencji Creative Commons Uznanie autorstwa-Bez utworów zależnych 3.0 Unported.