Showing posts with label SAFE. Show all posts
Showing posts with label SAFE. Show all posts

Monday, 26 March 2012

SAFE Gets a New Face

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SAFE announces the relaunch of their web site (still http://savingantiquities.org) and blog, now fully integrated as part of the site. All the posts (and corresponding comments) have transferred to the new site at savingantiquities.org/blog/.

Our web site has a new look, but the more important goal with this relaunch is to provide an easier user experience by bringing nearly 200 pages of content more upfront and visible. To present an easier platform for your participation many of the new pages have an area for comments. Frequent visitors to the previous site (that we launched in July 2003) will notice a reorganization of the material, addition of graphics, interactive tools, and easier access to our ever-growing social media presence. Blog posts are now put into categories. Take a tour of our new resources section where items can now be searched by topic, region and date. The news section on the home page has up-to-the-minute reports, and polls are now on their own separate page. These are a few of the new features; please peruse the site to make your own discoveries.

Every piece of content has been reconsidered and displayed in a new way with these goals in mind; but if we missed anything please let us know. We think that our new site is an improvement, but it is your opinion that truly matters. SAFE is a dynamic organization, and we take your comments seriously (eg. our brand new Teaching Tools section exists because of one of your suggestions). As with any web site, ours is an organic process; as such, it is always a work-in-progress. We welcome and appreciate your ideas and contributions. To get involved, click on one of the red arrows to your right.

Thank you, Brooke Todsen (Executive Director)

Looks good. Drop in and see what you think.

Monday, 24 October 2011

Saving Antiquities for Everyone: "Say YES to Bulgaria"

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The US based voluntary heritage organization SAFE (Saving Antiquities for Everyone) urges: Say YES to Bulgaria. The government of the Republic of Bulgaria has requested a Memorandum of Understanding (MoU) with the United States of America to restrict imports of illicit archaeological and ethnological materials from Bulgaria. This request is a substantial step toward enabling the US government to help stop the looting of archaeological sites and cultural monuments in Bulgaria and the smuggling of the products to the international market.

Somebody at SAFE has been very busy and produced a very clear 'advocacy' page which I'd like sympathetic readers to make as well known as possible before the 2nd November. It sets out very clearly the major issues in relation to the "section 303(a)1" issues on which the public are invited to comment. In terms of making informed comments, that puts the White Hat Guys at an advantage over coineys and the suchlike who have only been fed inflammatory lies and misleading misdirection by the dealer's paid stooges.

The SAFE page has four main sections which make it easy to understand the whole issue and why we should be concerned about it:

What is at stake?

Bulgaria's cultural heritage endangered

The devastating effects of illegal excavations

A huge U.S. market for Bulgarian antiquities

What is Bulgaria doing to protect its cultural heritage?

This text includes a bibliography of just a few of the news items that have been coming out of the country in recent years about the successes of the Bulgarian authorities in apprehending smugglers and looters, and the sort of items that have been involved.

Please spread the word and draw people's attention to this page and get them to submit a public comment in good time to show the world that there are more voices in America than those of greedy and self-serving takers of history.

[I doubt it will do any good, but it would be only fair to also bring this page to the attention of the coin and antiquity collectors' discussion lists so they at least have a chance to see what some of the issues are as the preservationists see them].

Wednesday, 7 September 2011

And the SAFE Beacon Award Winners are...

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It has just been announced that Professor David Gill is the recipient of the 2012 SAFE Beacon Award. David "has worked tirelessly for decades to shed light on the multiple threats to cultural heritage through teaching, research, publication and the blog Looting Matters". Congratulations David, well deserved and an inspiration to us all.

Friday, 29 April 2011

Fighting Antiquity Abuse: Get Involved

The destruction of the world's cultural heritage
is not a problem for scholars, professors, legislators and members of law enforcement alone.

It is a societal problem that attacks the very core of who we are.

It requires collective action and creative solutions.

Because the ancient past belongs to all of humanity, we must share stewardship and responsibility for protecting cultural heritage, ancient sites and antiquities no matter where they are found.

No matter who you are or what you do, you can make a difference.

SAFE provides you with the framework for action. Join SAFE now and get involved in its efforts to raise public awareness.

I thought it was time I plugged that again, I'm getting a lot of readers at the moment, getting some enquiries about what people can do. Interestingly (as far as I am aware) there is not a corresponding organization in the UK (Heritage Action has a somewhat different focus, the PAS a totally [!] different profile). Given the size, nature and influence of the British antiquities trade, maybe its time somebody thought about starting a British SAFE, thought it will be an uphill battle - you'd be opposed by the local metal detectorists (aided most likely by transatlantic coineys) every step of the way, and probably can't expect much help from the media. Not for the faint-hearted. But until somebody takes on the task, please support the efforts of the US one every way you can.

Monday, 1 November 2010

SAFE Beacon Awards Highlight Importance of Preventing Antiquities Theft

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The Saving Antiquities for Everyone (SAFE) Beacon Award is given to those who stand out in their fight against illicit antiquities trade. On Oct. 29, over 100 people attended an event awarding it to four individuals at John Jay College of Criminal Justice. The awards were given to Senior Special Agent of U.S. Immigration and Customs Enforcement James McAndrew, Attorney Robert Goldman, Federal Prosecutor David Hall and retired FBI agent Robert Wittman for their part in the investigations and prosecutions in cases involving stolen art and cultural objects.
The four unsung heroes shared their experiences about the difficulties and importance of saving antiquities in a reception after the award ceremony. "Stolen and looted art trade sums up to almost $6 billion," McAndrew said. And stressed that the lucrative crime does not exist by itself. "In many cases, the money is used to finance terrorism activities." Wittman, who created the FBI's Art Crime Team, has recovered more than 850 artworks and antiquities. His achievements have brought significant attention to the art crime field. The lack of public support and awareness, however, is crippling the battle against illicit antiquities trade, he said. "New York City is a mega center for the arts," Wittman said, "but recently they have been slashing the agents in this field of work." To successfully prosecute an art crime suspect, Hall said a prosecutor needs to show proof that the suspect knew of the illegality of the stolen artifact. "The only way to prove that is with the help of undercover agents and tipsters," Hall said. It is up to the public to push the government to invest more and play a more active role in saving these valuable antiquities.
Congratulations to all four and those who work with them to combat the traffic in illicitly obtained cultural property. SAFE, a nonprofit organization, has been hosting the Beacon Awards since 2006 as a way to recognize and raise awareness about the severe cultural loss caused by the illicit antiquities trade.

Note that Peter Tompa, paid lobbyist for the antiquities trade has questioned the propriety of such awards (Should Law Enforcement Accept Awards at a Fundraiser for an Archaeological Advocacy Group? ) noting that SAFE advocates a moral position alongside that which is merely legal
"Law enforcement should never do so when it enforces the law. In addition, government officials should avoid any appearance of bias or conflict of interest. Would it be appropriate for a meat inspector to accept an award from PETA or an EPA official to accept an award from Greenpeace?"
Or a US congressman or the Director of the UK's Portable Antiquities Scheme to accept a "Friends of Numismatists" award from the ACCG?

The truth is while collectors and dealers are not willing to self-police the antiquities market, guarding the morality and legality of the trade has to be the task of external watchdogs and where appropriate enforcement agencies. These - and social consent - are the only restraints preventing a total free-for-all on the global antiquities market. It is vital that the importance of the task of policing this market and the contribution of those involved be kept in the public eye - which is what these awards are for. One may only surmise why dealers and collectors are not joining in the congratulation of these four for their work in combating the illegal trade in cultural property.
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Saturday, 17 April 2010

SAFE Awarded at Rutgers

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On April 12th, Cindy Ho the President of SAFE received an Award of Excellence from the Cultural Heritage and Preservation Studies, Department of Art History. Rutgers, The State University of New Jersey. This was in recognition of her contribution to cultural heritage preservation throughout the world. She is pictured with Richard Leventhal of the Penn Cultural Heritage Center and on the right Archer St. Clair Harvey. Congratulations.

Saturday, 22 August 2009

Heaps of Ancient Coin Collectors


Coin dealer Dave Welsh moaned here about my alleged:
similarly insulting (and unjustified) references to "heap-of-coins-on-a-table" dealers […] I have never displayed a heap of coins on a table, nor do I have any intention of doing so in the future.
I think the writer will find that I have been writing about “heap-of-decontextualised-coin-on-a-table” collection. The ancient coin dealer is however part of the decontextualising trade which stands between the coins in the ground in their archaeological context and the collectors willing to buy a geegaw of unspecified origin to add to those they already have.

This is a contrast to the kind of research on coins which takes as its startpoint coins individually stored each one labeled with the place it was found “Colchester Union 1888”, “STO’86, layer 256A”. This kind of use of ancient coins see them individually as single pieces of evidence which are interpreted in terms of the other evidence from the same and surrounding contexts. Here there is a body of theory, in particular relating to the taphonomy of context. Coin assemblages from certain groups, across a site, between sites in a region, between types of site all provide information about the past. In England for example numismatists like Richard Reece have long been publishing studies of this type which vividly demonstrate the use of ancient coins as a source of archaeological information that goes well beyond what is stamped on them. This information is lost the moment a coin becomes decontextualised and enters the market.

Let us take just a few examples. I am not a great fan of “metal detecting” or "metal detectorists" and “metal detecting rallies” in particular, but the plan here shows a plot published by the Portable Antiquities Scheme of the finds made during one such rally in the fields to the southwest of the small Roman town of Durobrivae.











(Google earth and finds plot from Flickr). As can be seen they form clusters, and a careful study of the Roman coins in these discrete assemblages showed they varied, in other words this was not a random pattern but various factors were affecting the rate of deposition of coins in antiquity across this area in the past. The second figure is a graph of coin finds from several sites in the Chester region (P. Carrington, Towards a model of Roman society in Cheshire First to third centuries AD, graph compiled by Reece and Shotton). The vertical columns are the coin periods established by Richard Reece for the study of British coin Roman assemblages, it can be seen that again patterns of deposition are not random, the assemblages of coins from the different sites have a different profile, and this information now has to be explained.
A third example might be the frequent occurrence of Roman coins in early Anglo-Saxon cemeteries and graves. By the sixth century the Roman monetary economy was a vague memory if that, and yet Roman copper alloy coins are found with some frequency in graves, often in a position (when the grave is an inhumation) that indicates that they were carried in a pouch at the waist. Are these just random occurrences? If not, what was the function of these coins? What part did they play in the world vew and belief systems of the Anglo-Saxons? Only careful analysis of the contexts of these finds can tell us – but of course each coin that a metal detectorist has hoiked out of the ground and lumped together with others from other sites into a bulk lot, another piece of information about the past disappears and the archaeological record is depleted. Very probably the metal detectorist never even realized that he was dealing with an ‘out of place’ artefact, and certainly the coin “zapper” across the sea who then destroys it trying to see if the campgate had a star over it or not will never know.

It is a totally different type of coin use to use them in their decontextualised form by the collectors who try to accumulate coins on themes such as “the Twelve labours of Hercules on ancient coins” or obtain “a campgate reverse from every mint” before selling them or whatever. It is in the name of this kind of collection that hundreds of holes are dug in the archaeological sites in the fields of England, Bulgaria and Palestine to accumulate bulk loads of ancient objects gathered from many sites together. The coins are separated out and sorted through, what is not deemed worthy of processing to sell individually is sold as the “uncleaned bulk lots” we see on sale all over the Internet to “coin zappers”. Whether a dealer gets his “Bulgarian specials” in individual packets or packets of four, six, ten, these are still part of the “heap-of-decontextualised-coins-on-a-table” market. Nobody at any stage has attempted to keep the finds from the Flavian fort area separate from the vicus or the temple area of a site separate, even coins from many sites are mixed before the first real sorting.

Aware of criticisms that the coin trade destroys contextual information, some collectors try to justify what they do. They argue that archaeological context is “not important”, that what matters is something they call “numismatic context”. Numismatic context […] is […] mostly concerned with the systematic study of dies and die-links, and also with the study of coin hoards and their dating” (D. Welsh "Preserving Numismatic Context from Destruction by Archaeologists"). The term “die-links” is a fancy way of saying that coin collectors just compare the pictures on one coin with those on another and play “spot the difference” and count how many coins of one or other variant they can find. The definition of "numismatic context" of Missouri coin dealer Wayne Sayles (‘ACCG opposes import restrictions on coins from Italy’) has a slightly more sophisticated wording, but embodies the same idea: "numismatists derive their own “context” from the iconography and epigraphical devices used on coins, the number and chronology of dies used to strike a given series, and the metallurgical content of various issues". The context of a coin is other coins, the only context of deposition of interest is a hoard. All the other archaeological contexts can be trashed as far as a so-conceived numismatic context is concerned. They say they need tens of thousands of decontextualised coins on the open market to study "numismatic context". I say this can be done with tens of thousands of coins whose context is known whether or not it is a hoard, this really is no hindrance to ‘spot the difference’ comparison games. Indeed what Sayles describes is precisely the manner in which coins from known archaeological contexts are also studied. I really do not know what makes the US dealer community think that they and their clients are so superior to everybody else.

The coin collector seems not to be interested in keeping the coins from different archaeological contexts separately, that would hinder sorting them into types and comparing one coin with another. This is a bit odd because series collectors of other materials (conchologists, botanists, lepidopterists, meterorite collectors) frequently catalogue their collections on the basis of where specifically the items come from.

I suspect the people involved in the trade of decontextualised coins do not see that my "heap-on-a-table" label is a bit tongue-in-cheek. Mr Welsh yesterday wrote me off-list an email explaining at unneccessary length that what appears to be a "heap"of coins on his website is not really a "heap" at all, but an assemblage created for imaging, and its not really on a table at all and he'd not heap coins and take every precaution to prevent his goods rubbing together. Nevertheless on V-Coins there are US dealers quite happily mingling ancient coins together in heaps - or box fulls. Some of them are called "dealer's lots". There are collectors who happily heap Late Roman Bronze coins in order to sort them to decide which ones to "zap", no problems with coins rubbing together in kilogramme bag lots is there?

Here's a still from Mike Pegg's wonderful (in a funny kinda way) "metal detecting" video I recommended a while back. Here we are in his back room with his artefact collection. Note how he has them heaped on a surface (no, Mr Welsh is right, it is not - technically - a "table" here either). When the video shows a closeup, there is not a finds label or catalogue number in sight which would allow a particular item to be linked to a particular findspot. I doubt whether many US ancient coin collections have either, whether the storage method is the same or not.


I suppose its a case of "show me your catalogue and I will tell you what kind of a collector you are".

Three articles by Nathan Elkins available online discuss the intellectual consequences of the market in decontextualised numismatic material from archaeological sites:

Elkins, N.T. 2008. A Survey of the Material and Intellectual Consequences of Trading in Undocumented Ancient Coins: a Case Study on the North American Trade.

2008: Elkins, Why coins matter, Trafficking in undocumented and illegally exported ancient coinsin the North American marketplace

2009: The Trade in Ancient Coins in the USA: Scale and Structure

These matters are also discussed on Elkins' blog, and on the SAFE webpage there is a "resources" page with further material discussing the deleterious effects of the trade.
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Sunday, 8 February 2009

Where to find the ethical collector?

Over on SAFE Corner a small discussion broke out over a report of Renfrew's talk in NY (Renfrew asks for clarity in New York). Collector and artist Bill Donovan writes: Archaeologists [...] fritter time and resources away fighting people who view antiquities as their connection to history and the larger narrative of world culture" and argues that "Archaeologists need to institute a system of documenting and releasing less signifigant finds, thereby allowing the creation of an individual known as the "ethical collector." I replied in the comments on SafeCorner, but post that reply (slightly edited for clarity) here too.

Well, first of all, I do not accept the argument that its „archaeologists” who need to change the current status quo. As Mr Donovan says, it is a “minority” of the population which are causing this problem, and the effects and scale of the quarrying of the archaeological record for collectables is an issue that the conservation-minded majority is becoming more aware of. The “benefits” of which Mr Donovan speaks affect that minority, the damage that is done by looters to the archaeological record to supply this erosive hobby affects everyone, and not only of the current generation.

If collectors want to carry on, then instead of just going on about their “rights” as collectors, it’s obviously time for them to start considering their responsibilities. I suggest that, instead of allowing themselves to be pushed about by the dealer naysayers as they self-evidently do at the moment, collectors need to take the initiative and show that a legitimate trade does exist and can exist (if it can). If collecting is, as Mr Donovan explains, an expression of capitalism, then it is the demand which shapes the supply.

The obvious first step would be for collectors to create a collectors’ code of ethics, which cuts out all the weasel-wording of the existing traders’ ones and answers the concerns of the critics of collecting in its current archaeology-damaging form. Let it clearly and unambiguously define what (in a period when the looting of sites to supply this market is taking place on an unprecedented scale) is and what is not acceptable to collect and how. Let it define the questions the supplier is required to answer to demonstrate to the ethical collector the licit origin of their goods, and let it say unequivocally that if the seller cannot answer the questions, the ethical collector moves on to one who can. Perhaps when they have defined what ethical collecting actually is, ethical collectors can form an association of people united under that banner which could act as its spokespersons, so we can bypass the aggressive defenders of the no-questions-asked trade that so far dominate the discussions and cloud the issues. That seems to me to be vital for progress in this area.

[Mr Donovan explains: I am against the state telling me I cannot own something as common as a bronze Roman coin. Roman coins were produced in the hundreds of millions, and are scattered in the top soil through out Europe].Collecting Late Roman bronze coins? I do not think this is in any place actually “banned” as such, though in some places (though obviously not in the USA) certain conditions have to be met. How can Mr Donovan collect them ethically? Well, thousands of them in perfectly collectable condition come from British sites and are recorded by the Portable Antiquities Scheme. Some are single finds and many are from hoards recorded under the Treasure Act and released on the market as superfluous to museum display and study needs. Buying only such coins should mean that one has an object which has been recovered responsibly and recorded by the archaeological authorities (so the information can be used by the public at large in whatever way they want). The object has a unique number and photo in an external database which is accessible online all over the world and can be associated with data on provenance and find circumstances. The PAS record can be the beginning of a chain of ownership which will accompany the coin as it moves from the collection of one responsible collector to another and show it has not been recently ripped from the layers of an ancient military site, cemetery or settlement in Bulgaria and illegally shipped by the lorryload to US wholesalers like many currently on the market. We have all heard the pathetic self-justificatory arguments from collectors, and – especially dealers - why this is “all right because…”. The point is though that any responsible thinking person can see that it is not “all right” at all. Archaeological artefacts are not potatoes to be dug up and sold and bought by the kilogramme.

Whether or not “archaeologists” and politicians should, at great cost to their own citizens, set up PAS-clones in all the source countries to primarily serve the needs of foreign collectors is something that we can obviously only discuss when collectors are able to demonstrate that they actually are concerned enough to actually buy only the provenanced and traceable antiquities that it would produce. At the moment, we see very little evidence that in the collecting community there is actually any real demand for PAS-provenanced antiquities for example. That includes the US market, the one which demands that every country sets up a PAS so they can freely buy the artefacts from them. Some US dealers are very dismissive of the whole idea of collectors buying provenanced so-called "minor antiquities", it is not difficult to guess why though.

The same goes for deaccessioning “duplicate” (how to define that?) items from museum collections for collectors’ enjoyment. Again I would say let us wait with discussions of that until such a time that collectors can mature to a stage where provenance and associated documentation are not being lost every time an object is sold to a new owner (one can hardly call them a ‘curator” or “steward” is that information is lost every time an object changes ownership among private collectors).

I therefore really do not see the logic in Mr Donovan's response to Renfrew’s “a point of crisis has been reached in the destruction of the world's archaeological heritage, and that this can be met only by a general agreement not to acquire unprovenanced antiquities”. Mr Donovan says The position you are arguing turns many thoughtful, good-natured, curious, well educated, wealthy people into criminals.” I really fail to see the connection there. It cannot be denied that this is a conservation issue, not one of “personal rights”. Surely the “thoughtful, good-natured, curious, well educated, people” if they cared about the crisis of destruction of the world’s archaeological heritage would indeed agree “not to acquire unprovenanced antiquities”. They would not patronize cowboy dealers offering unprovenanced material from goodness-knows where. They would not be kicking against those trying to stem the tide of destruction of the finite and fragile archaeological resource, but working with them. That seems a no-brainer to me.

It’s the same as elephant ivory, same as any CITES protected items. The responsible buyer asks questions, if the seller gives an evasive answer, they walk on to somebody who can offer something which can be verified as not recently looted. There IS such stuff, isn’t there? After all, portable antiquity dealers bang on about how a “legitimate trade” (made up of all those items which entered the market legitimately since Petrarch started collecting coins) does exist alongside the cowboys selling looted items. Perhaps it is time to find out how extensive the one is with regard the other and collectors can act accordingly.

So, in a nutshell, to "create ethical collectors", it is obvious that we need collectors themselves (“thoughtful, good-natured, curious, well educated, people”) to become more aware of their responsibilities (through, for example, reading material like the SAFE website and supporting organizations like it) . I’d also like to see the responsible and ethical collectors working (for example through their internet forums) to bring the less responsible, the less thoughtful, good-natured, curious, well educated people in their ranks round to the idea of ethical collecting. It seems to me that the obvious first step is for collectors of portable antiquities to create their own code of ethics formulating what is and is not socially acceptable for collectors of portable antiquities in the twenty-first century.

Monday, 12 January 2009

Nathan and the AIA meeting


Over on Nathan Elkins' blog is an interesting and witty personal account of the 2009 Annual Meeting of the Archaeological Institute of America in Philadelphia at which SAFE had a not insignificant role. I think it's worth a read to give the atmosphere of this kind of event. From the attention he's paid to the menus and bookstalls, I suspect that its not just because of a mutual interest in the antiquities trade that Nathan and I would get along very well together should we ever meet at a conference!

Photo: ancient artifact.

Wednesday, 7 January 2009

More sneers from Observer

Peter Tompa has a blog on "cultural property observing" which consists almost entirely of a series of sneering attacks on the whole world that does not collect antiquities. It seems he has a chip on his shoulder about SAFE in particular. SAFE is hosting Lord Professor Colin Renfrew who is giving a lecture in a few days time about the antiquities trade in which (one may infer from its title) New York's Metropolitan Museum of Art's acquisition policy will be one of the things discussed. The Met in response released the full text of a draft of its new acquisition policy. Tompa criticises SAFE for publicising that fact. In his latest blog post "LA Times Culture Monster Swallows SAFE Bait-- Hook, Line and Sinker" he writes that:

The problem (sic) is that the MET (sic) has in fact adopted the new AAMD standards, a fact reported on the "CultureGirrl" blog some time ago.

Personally I do not see any "problem" in New York's Metropolitan Museum of Art abiding by the new AAMD standards, in fact - given its past history - I see that as good news. Nevertheless, let's stick with the facts. Renfrew's SAFE lecture title was announced before 4th November, but the final version of the Met's revised policy to which Tompa refers was drafted later (12th November). More to the point, there seems to be some doubt when it was "adopted" (to use Tompa's term). The document itself says:

This Revised Policy shall be effective immediately upon approval by the Board of Trustees and shall supersede all prior policies on the topics addressed herein.

Presumably the adoption of this policy would have a terminus post quem of November 12th rather than some time in June when "CultureGrrl" reported what she had been told by a Met spokesperson.

I really do not see the reason for yet another "numismo-rantic" attack on SAFE. If one considers Culturrgirl blog post 'public announcement from a major institution, it's their choice. It seems to me pretty clear that the full draft text of the Met's new policy was made public as a reaction to SAFE's announcement of what Lord Renfrew was going to say in a few days' time, which is what SAFE are saying. Which is what "CultureMonster" said.

Let it be noted that the style in which this was handled between SAFE/Renfrew and the Met was the polar opposite of the numismo-rantic method: no attack, no clobbering. SAFE was polite and civil to the folks at the Met but surely is free to ask them and anyone else questions about what they are doing.

Photo: Peter Tompa

 
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