I've been saying this for almost all the time the US Department of State started stirring up the fuss about Syria's Conflict antiquities (so has Dorothy King and a few others): Tim Cornwell, 'Almost 70% of smuggled objects seized in Syria and Lebanon are fakes, antiquities chief says', The Art Newspaper 24 August 2016. Now it's official:
Close to three-quarters of the artefacts seized in anti-smuggling operations in Syria and neighbouring Lebanon this year have proved to be fakes, Syria’s antiquities chief Maamoun Abdulkarim tells The Art Newspaper. [...] There have been growing questions over the extent of illicit digging and antiquities trafficking in Syria by militant groups including ISIS. Abdulkarim says that while 7,000 objects have been seized by authorities in Syria since 2013, the proportion of fakes has risen from 30% to closer to 70%, both inside the country and in neighbouring Lebanon. Objects seized by police in Damascus include 30 fake ancient Bibles, as well as Korans. Another haul was 450 gold Medieval coins, all discovered to be fake, along with scores of fake mosaic tableaus and statues. Some items were poorly made fakes that were quickly weeded out, but sometimes it was difficult to distinguish between the real artefacts and the copies. “I hope the originals are stopped and the fakes go to the market place,” Abdulkarim says.So do we all. Well, all except those collectors who pay out their money for artefacts of unknown provenance without demanding to see papers proving they are licit and kosher. But who cares about them getting 'stung'? Much of the article is about Palmyra:
Three Polish archaeologists have joined conservation and training efforts in Palmyra, while two broken pieces are to travel to Rome for an exhibition in October, to be repaired and returned by Italian experts as a symbol of solidarity. While Russian teams were among the first into Palmyra, Abdulkarim stressed that the historic ties in the field were widely with the West and appealed for archaeologists to rally to Syria. “I appeal at all times for French archaeologists, British archaeologists, German archaeologists to come,” he says. “All the damage [that has been done] to cultural heritage will be for generation after generation. Just come to Damascus.” [...] Abdulkarim’s goal of working to set politics aside and preserve a shared heritage has been well received by the international community. “I refuse to use our cultural interest for political agendas. It’s our common heritage, it’s our common identity,” Abdulkarim tells us. “The politics will change, but the heritage won’t change.”
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