A blog commenting on various aspects of the private collecting and trade in archaeological artefacts today and their effect on the archaeological record.
The New York Times has an enthusiastic piece on the Musée d’art classique de Mougins. (Geraldine Fabrikant, 'Investments in Antiquities Pay Off in New Museum in the South of France',) Christian Levett, a bookmaker's son from Essex, began as a commodities trader in France, became a hedge fund multimillionaire with a fortune estimated in the hundreds of millions of dollars. Like many of them plunged into the fine art market, focusing on hand painted rare books and buying ancient Roman coins before then turning to antiquities.
Mr. Levett became a voracious buyer, assembling one of the world’s
largest private collections of ancient arms and armor. Today, his scores
of Greek hoplite helmets, Roman greaves and shields, along with
Egyptian sarcophagi, Greek statues and ancient glass, are the crown
jewels of his Musée d’art classique de Mougins, housed in a series of
medieval buildings in the heart of the small village in the hills above
Cannes. [...] Certainly the past decade was an opportune time for a shopping spree.
The family of Axel Guttmann, a German industrialist, had one of the
great collections of ancient weaponry and began selling it off after he
died in 2001. “They flooded the market over a short period of time and
that crashed prices,” recalled Mr. Levett, who had returned to London in
2003. Once he started buying, he did not stop with artworks. Mr. Levett also acquired Minvera, a magazine dedicated to antiquities. [...] He was also leery of London critics challenging the collection, even
though he had been careful about problems of provenance. So far, “No one
has come to us on any kind of a claim,” Mr. Levett said. He noted that
the Guttman collection had been published earlier without incident and
by 2007 when he was buying most heavily, he was aware and mindful of the
provenance issues.
UPDATE 2nd September 2014
David Gill points out to me (comments link to here) that objects from the Guttmann collection have not all been free from issues. See also Looting Matters: 'On the Trail of a South Italian Cavalryman's armour'. That material in a collection, be it private or public, has been published in some form or another without anyone challenging it is no substitute for due diligence.
one challenge out of a collection of 3000 pieces is not bad is it.the article says levett was "aware of provenance issues by 2007" this didnt stop him buying lot 23 from the bonhams geddes sale in oct 2006 [gnathian volute krater,published sothebys 1985]it went into his museum for a few years but than they somehow come to their senses and it was sold at bonhams oct 2012 lot 85,with a loss of over 10k.at least he is trying to keep his collection clean.i have heard rumours that levett might start dealing in antiquities like the guy that owns the new kalos gallery, going from collector to dealer.i hate the fact that its all £$$$£ with these high end collectors,do they really love their collections for what they are or are their collections some kind of long term investment and nothing else.plugging the investment value of antiquities is something i hear from dealers all the time.it reminds me of bruce mcnall who wrote in his book "fun while it lasted"that nearly all the high end collectors of ancient coins he was buying for,were only interested in the investment opportunities and cared nothing at all for the coins themselves which is sad very sad.when trading up or selling on a piece from my collection,which i dont do very often i nearly always lose money.investment opportunities my a***. kyri.
British archaeologist living and working in Warsaw, Poland. Since the early 1990s (or even longer) a primary interest has been research on artefact hunting and collecting and the market in portable antiquities in the international context and their effect on the archaeological record.
"coiney" - a term I use for private collector of dug up ancient coins, particularly a member of the Moneta-L forum or the ACCG
"heap-of-artefacts-on-a-table-collecting" the term rather speaks for itself, an accumulation of loose artefacts with no attempt to link each item with documented origins. Most often used to refer to metal detectorists (ice-cream tubs-full) and ancient coin collectors (Roman coins sold in aggregated bulk lots)
"tekkie" - metal detectorist/metal detecting (a form of artefact hunting)
CDE - Collection-Driven Exploitation of archaeological sites
CPAC - Cultural Property Advisory Committee [US]
FLO - Finds Liaison Officer (post in the PAS)
HER - Historic Environment Record [UK]
IAPN - International Association of Professional Numismatists
MENA - Middle East and North Africa
PAS - Portable Antiquities Scheme
PNG - Professional Numismatists' Guild
UNESCO - United Nations Educational, Scientific and Cultural Organization
UNESCO 1970 Convention - Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property
2 comments:
For a challenge over a Guttmann piece see here.
one challenge out of a collection of 3000 pieces is not bad is it.the article says levett was "aware of provenance issues by 2007" this didnt stop him buying lot 23 from the bonhams geddes sale in oct 2006 [gnathian volute krater,published sothebys 1985]it went into his museum for a few years but than they somehow come to their senses and it was sold at bonhams oct 2012 lot 85,with a loss of over 10k.at least he is trying to keep his collection clean.i have heard rumours that levett might start dealing in antiquities like the guy that owns the new kalos gallery, going from collector to dealer.i hate the fact that its all £$$$£ with these high end collectors,do they really love their collections for what they are or are their collections some kind of long term investment and nothing else.plugging the investment value of antiquities is something i hear from dealers all the time.it reminds me of bruce mcnall who wrote in his book "fun while it lasted"that nearly all the high end collectors of ancient coins he was buying for,were only interested in the investment opportunities and cared nothing at all for the coins themselves which is sad very sad.when trading up or selling on a piece from my collection,which i dont do very often i nearly always lose money.investment opportunities my a***.
kyri.
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